Sunday, December 3, 2017

The Letters of Abelard and Heloise

"Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest." -- Heloise (p. 129)

"Logic has made me hated by the world." -- Abelard (p. 170)

"If the whole world kept silent, the facts themselves would cry out." -- Heloise (p. 111)

I read selections from the letters of theologian Peter Abelard and Heloise, his former student, in high school, in my prized Portable Medieval Reader. Based on that, I've always thought of  Abelard as a condescending jerk, and Heloise as someone who deserved better. Knowing that Abelard was assaulted, castrated, and more or less forced into a monastery, I have felt bad about that. However, my teenage judgment was only reinforced by reading their complete surviving correspondence, edited by Betty Radice in the Penguin Classics edition, along with Abelard's autobiographical essay about his "calamities." Heloise (d. 1164) comes across as an intelligent, passionate, forward-thinking woman at odds with her world and her time. Abelard (1079 - 1142) comes across as charismatic but irritatingly pompous, and it doesn't seem surprising that, while he finds people who admire him everywhere he goes, he alienates even more of them.

Both young and attractive, and turned on by each other's intellects, the two began an affair that ended as they could have expected. When she gets pregnant, they secretly marry, and Heloise hides in a convent from her disapproving uncle. She thinks neither of these responses is a good idea, telling him outright that "We shall both be destroyed" (74). She's correct, and after it goes disastrously wrong, she continues to do what he asks, and in a gesture of self-sacrifice becomes a nun. (Their son, christened Astrolabe, is little heard of again).

Years later, when his account of their affair and its aftermath is circulating, she writes to him with some reproach, giving her side of the story. She says that the memory of their pleasures "can never displease me" (133), and famously declares "the name of wife may seem more sacred  or more binding, but sweeter for me will always be the word mistress, of, if you will permit, that of concubine or whore," (113) and "I would have had no hesitation, God knows, in following you or going ahead at your bidding to the flames of Hell" (117).

In return, he chastises her for "your old perpetual complaint" about having been pressured into religious life without a vocation (137), and bemoans that "I took my fill of my wretched pleasures in you, and this was the sum total of my love" (153). He also reminds her that "I often forced you to consent with threats and blows" (147). Eeee. After a few letters, seeming to realize she's not going to get anything better from him, Heloise settles down to writing him as a nun to her male superior in the church, and he replies with letters of instruction that she clearly doesn't really need. Since I had written "he's a pontificator!" in one of the margins, I was amused in the course of this when he quoted St. Gregory  about the necessity for brevity when using words (189-190).

About these "Letters of Direction," I'd like to note that, in posing some theological questions, Heloise includes several quotes and makes points that Abelard later uses in full in his responses. Is he plagiarizing her to her face? I almost hoped his was making some kind of point by doing so, that she might have understood. For example, she talks about wine on p. 168 - 170, and his response on p. 231 - 234, he uses the exact same quotes she used, and makes mostly the same points, although with more words.

I also think Heloise was making a point about the absurdity of repudiation and self-mortification in her discussion of why or why not men and women in religious orders should refrain (or not) from wine and meat, and how ascetic they should be. She quotes one's of Paul's letters, 1 Timothy 4:1-5, which says: "The Spirit clearly says that in later times some will abandon the faith and follow deceiving spirits and things taught by demons. Such teachings come through hypocritical liars, whose consciences have been seared as with a hot iron. They forbid people to marry and order them to abstain from certain foods, which God created to be received with thanksgiving by those who believe and who know the truth. For everything God created is good, and nothing is to be rejected if it is received with thanksgiving, because it is consecrated by the word of God and prayer" (NIV). Since they're in religious orders that forbid them to marry, with restrictions on food, and since she has never been ashamed of her sexuality or its expression, this certainly has some subtext.

Overall, I can't believe I waited so long to read this, but it was very enlightening about the history of women's places in the world. It's a shame that someone like Heloise had such a limited scope within  her time and society, but it's lucky for us that her powerful voice and subversive opinions -- crying out in the wilderness, in a sense -- were preserved

Abaelardus, Petrus, Heloise, and Betty Radice. The Letters of Abelard and Heloise. London: Penguin, 1974.

Friday, November 24, 2017

New Books

Before I get carried away with other things, I should note that I have two new books out!

I have an essay in the McFarland Press collection Giant Creatures in Our World: Essays on Kaiju and American Popular Culture, edited by Camille D.G. Mustachio and Jason Barr: "'We are eating Gamera': Mystery Science Theater 3000 Consumes the Kaiju."


My long-awaited cemetery guide is also finally out: Ici Repose: A Guide to St. Louis #2, Square 3. When I said that this was of "regional niche interest," I was told that's an understatement. Nonetheless, this is a comprehensive visual guide to New Orleans' beautiful St. Louis Cemetery #2, Square 3, available in the black and white first edition, and a full-color Deluxe Edition which I am selling as cheap as the printer will let me -- which is $125.


What stranger stocking stuffers are you likely to find?

Wednesday, November 22, 2017

Spin Reveal!

And the winner of the Classics Club spin is: Hall Caine's The Manxman. Like Le Fanu's The Cock and Anchor, this is a book that I've really wanted to read, but has always seemed a little longer than I'm in the mood for. So this has been a good kick to get me started. So far I'm finding Caine's style very readable, and he seems to have good perceptions of human psychology. Because I'm me, I will also be trying to track down the silent Alfred Hitchcock film version.

Wednesday, November 8, 2017

You Spin Me Right Round

I tried to do the Classics Club spin once before, but wimped out. Since I don't have 20 left, I'm counting anything from 17 to 20 as a sign to read Can You Forgive Her?, which, luckily, I've already started!
  1.  Shihab al-Din al-Nuwayri: The Ultimate Ambition in the Arts of Erudition 
  2. William Baldwin: Beware the Cat (etext link)
  3. Honore Balzac: Lost Illusions
  4. Hall Caine: The Manxman 
  5. Samuel Taylor Coleridge: Coleridge's Notebooks: a Selection  
  6. Jane Collier: An Essay on the Art of Ingeniously Tormenting
  7. John Donne: Devotions Upon Emergent Occasions (http://www.gutenberg.org/ebooks/23772)
  8. Anne Fuller: The Convent 
  9. George Gissing: New Grub Street 
  10. J. Sheridan Le Fanu: The Cock and Anchor 
  11. Delarivier Manley: The New Atalantis 
  12. Talbot Mundy: King of the Khyber Rifles 
  13. Kay Nielsen: East of the Sun and West of the Moon   
  14. Elliott O'Donnell: The Sorcery Club (http://www.gutenberg.org/ebooks/14317)
  15. Maria Amparo Ruiz de Burton: Who Would Have Thought It?
  16. Charlotte Smith: Celestina 
  17. Anthony Trollope: Can You Forgive Her?

Monday, December 26, 2016

The One-Straw Revolution, by Masanobu Fukuoka

"We can never know the answers to great spiritual questions, but it's all right not to understand. We have been born and are living on the earth to face directly the reality of living."
-- Masanobu Fukuoka, The One-Straw Revolution (112)

This 1978 book is another one that crossed my path by the most random of happenstance, and I'm not sure why I picked it up. Agriculture, alternative or otherwise, is not really one of my areas of interest or expertise, but within that field, this book is definitely a classic, and I pretty much agreed with every word, despite the number of DVDs and bags of potato chips in my house.

Fukuoka was a young scientist studying plant diseases, when an existential crisis led him to a liberating epiphany about the futility of human endeavors: "Humanity knows nothing at all. There is no intrinsic value in anything, and every action is a futile, meaningless effort" (4). Thought an eccentric by everyone, and after the interruption of the Second World War, Fukuoka begins to practically apply his philosophy to his chosen field of agriculture, pioneering what he calls "do-nothing" farming (15).

He jokes about how others always think that means there's no work involved, which isn't true, but his techniques are all about working with one's specific environment, and interfering as little as possible with the natural growth of crops, which, as he had realized, can flourish in the wild without any human intervention. He is constantly thinking "How about not doing this?" (ibid)

The introduction, by noted author Wendell Berry, points out that the book's specific farming techniques are designed for Fukuoka's land in Japan, and aren't directly applicable to other conditions. I won't spend much time on those, although that was more interesting than I expected. But I was most interested in the underlying framework, which was surprisingly profound. He points out that a small compromise for convenience can send one down the road to complete complicity in an unhealthy system, and commiserates with the city dwellers whose options for "natural" food are almost as unnatural as just eating the Doritos (okay, that's my example).

At heart, his message is this: "The more people do, the more society develops, the more problems arise. The increasing desolation of nature, the exhaustion of resources, the uneasiness and disintegration of the human spirit, all have been brought about by humanity's trying to accomplish something" (159). And he warns, "Human beings can destroy natural forms, but they cannot create them" (154).

Of course, we're in a modern industrial age, when generations of tampering in the name of progress can't really be unraveled. Fukuoka's vision is entirely impractical, and the vast majority of people wouldn't want to live that way even if they could. As it says in Good Omens (by Terry Pratchett and Neil Gaiman), instead of a desire to go Back to Nature, "almost the entire drive of human history has been an attempt to get as far away from Nature as possible." Still, it's kind of hard to argue against the idea that the world is a mess, and many efforts to fix it are making more of a mess. Or that the human urge for "fast rather than slow, more rather than less" (110) has led to big problems, so maybe we could try slow over fast, and less over more.

On a less pensive note, this was a clearly-written and thought-provoking read, worth putting on anybody's book lists about food, farming, or modern industrial problems.

Fukuoka, Masanobu. The One-Straw Revolution. New York: New York Review Books, 2009.

Friday, December 23, 2016

Books for Hogswatch

My recommendation for your Hogswatch/Yule/Christmas reading this year, The Valancourt Book of Victorian Christmas Ghost Stories. Sooooo good!


I'm assuming that you've already read the all-time classic, Hogfather, by Terry Pratchett, and watched the equally classic movie (starring Lady Mary herself, Michelle Dockery), along with the Brom's Krampus: The Yule Lord. If not, get on that, too.

But about the new Valancourt book: I've been waiting for years for someone to put out a collection of Victorian Christmas ghost stories, and better people couldn't have done the job. The stories are all good, and perfect for reading on cold winter nights, which I know, since I was in the middle of this the night our furnace went out (getting down to 53 degrees before we got it fixed). If I could buy you all stocking stuffers, this is what you'd get. And you'd like it!

Thursday, December 15, 2016

Dune, by Frank Herbert

"Thufir, old friend," Paul said, "as you can see, my back is toward no door."
"The universe is full of doors," Howat said.

"Deep in the human unconscious is a pervasive need for a logical universe that makes sense. but the real universe is always one step beyond logic."

-- from Dune (770, 604)

Dune (1965) is one of those classics I always resisted, even back when I was mainly reading science fiction. It seemed kind of heavy and message-y, and its fans came across as cultish. It went onto the list after a viewing of the documentary Jodorowsky's Dune, which is fantastic, and you should watch it -- who knew such an inspiring film could be made out of a creative failure? I finally picked it up to read in those oddball off times at a science fiction convention, and I took to it immediately. I'm a sucker for faux nonfiction, so I ate up all the excerpts from histories-within-the-book, and the sayings and lore interspersed throughout. I also appreciated that the novel's far futuristic society and alien planets are significantly alien. The royal houses, the Bene Gesserit order, Arrakis: none of them are the half-hearted extensions of modern life one so often sees (even in things I love, like Star Trek), but have evolved in ways that are truly different and strange.

For most of this book's "running time," I kept having the same nagging thought in the back of my head: "I do not see Kyle MacLachlan as Paul Atreides one little bit!" The more I read, the stranger that casting seemed. Nothing against Kyle, who's a fine actor, but, geez. I don't know who I would have expected to play the young nobleman gone native as a Messiah figure on an unforgiving desert planet.

I'm also not sure what to make of Herbert's ecological concerns. There's a whole theme about the ecosystem of Arrakis, and how its elements are more interconnected than people realize, and along with that, it seems like he's saying the desert-living Fremen are more in harmony, adapted to the planet's environment. But they're still manipulating it, working to reform it, making it more comfortable for human life. They're just doing it in a slow and systematic way, rather than the usual lumbering one.

My other main thought is that I felt like Dune was really a complete book. I know there's a whole of slew of sequels, by Herbert and his son, but while I enjoyed reading this a lot, I don't feel any need to continue. It didn't pose many unanswered questions, and in fact has a lot of foreshadowing about what the end results are going to be for the universe (hint: not good).

This is one of those books that was worth avoiding, just so I had it to read fresh now.

Herbert, Frank. Dune. Ace premium edition. New York: Berkley, 2010.